
Résumé
Type is the bridge between writer and reader, between thought and understanding. Type is the message-bearer: an art-form that impinges upon every [iterate being and yet for most of Its history it has conformed to the old adage that 'good typography should be invisible'; it should not distract with its own personality. It was only at the end of the nineteenth century that designers slowly realised that they could say as much with their lettering as writers could with their words. Form, of course, carries as much meaning as content. Now, anyone within reach of a computer and its limitless database of fonts has the same power.
Type: The Secret History of Letters tells its story for the first time, treating typography as a hidden measure of our history. From the tempestuous debate about its beginnings in the fifteenth century, to the invention of our most contemporary lettering, Simon Loxley, with the skill of a novelist, tells of the people and events behind our letters. How did Johann Gutenberg, in late 1438, come to think of printing? Does Baskerville have anything to do with Sherlock Holmes? Why did the Nazis re-invent Blackletter? What is a Zapf?
Type is a guide through the history of our letters and a study of their power. From fashion through propaganda and the development of mass literacy, Loxley shows how typography has changed our world.
Sommaire
- The adventure and the art: the obscure origins of a revolution
- Dynasty: in which William Caslon makes Britain the type centre of the world
- Garamuddle: when is a sixteenth-century typeface not a sixteenth-century typeface?
- The maverick tendency: the type and strange afterlife of John Baskerville
- Detour | Meltdown: a stroll around a fallen giant
- 'Hideous Italians': thicks, thins, and the rise of advertising type
- American spring: creating the modern age
- An awful beauty: the private press movement
- Under fire: Frederic Goudy, type star
- Detour | Typecast: on the trail of the metal fanatics
- Going Underground: Edward Johnston's letters for London
- The doves and the serpent: Stanley Morison and the Wardes
- Dangerous passions: radical European typography in the inter-war years
- Leper messiah: Gill semi-light, Gill heavy
- Europe after the rain: rebirth and twilight
- Detour | Portable serenity: the precision and the passion of the letter cutter
- Two ghosts: forgotten technologies from the dustbin of history
- Motorway madness: David Kindersley and the great road sign ruckus
- A company man: Herb Lubalin and the International Typeface Corporation
- The twenty-six soldiers: fiddling with the format
- New gods: Neville Brody and the designer decade
- Revolution again: liberating the letter
- Detour | Inside the micro-foundry: twenty-first-century type
- Typocalypse
Caractéristiques techniques
PAPIER | |
Éditeur(s) | I.B.Tauris |
Auteur(s) | Simon Loxley |
Parution | 12/05/2004 |
Nb. de pages | 248 |
Format | 16 x 24 |
Couverture | Relié |
Poids | 538g |
Intérieur | Noir et Blanc |
EAN13 | 9781850433972 |
ISBN13 | 978-1-85043-397-2 |
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