Résumé
spectrum of individuals concerned with the use of the computer as a
tool for artists. The approaches taken vary; different contributors
look at the historical, philosophical and practical implications,
amongst others, of the use of computer technology in art practice.
The variety of approaches is matched by diversity of background with
contributors including an art critic, an educator, a practicing
artist and a researcher. The Editor's contribution will look at the
potential for future developments in the field, looking at both the
artistic and the computational aspects of the field.
The previous publication of a small number of essays on
this
subject have been superseded here. This collection seeks to
bring
together the latest theories and advances in the use of
computers in
art as well as looking in a practical way at the
computational
aspects and problems involved. It is currently envisaged
that
publication will be linked with an exhibition and
television program,
details of which are yet to be finalized.
Contents:
- Some trends in computer graphic art
- Visual technology and the poetics of knowledge
- Artificial consciousness - artificial art
- Representing representation: artificial intelligence
and
drawing - Fatal attraction: print meets computer
- Post-modem art, or: Virtual reality as Trojan donkey,
or:
Horsetail tartan literature groin art - A year and a day on the road to Omniana
- Networks and artworks: the failure of the user
friendly
interface - Virtual reality & art
- Extrapolation to the future novelties
- Computers and art and design: a miscellany of literature
Caractéristiques techniques
PAPIER | |
Éditeur(s) | Intellect Books |
Auteur(s) | Stuart Mealing |
Parution | 10/07/1997 |
Nb. de pages | 188 |
Format | 17,5 x 23 |
Poids | 400g |
EAN13 | 9781871516609 |
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