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Paint Shop Pro 7 for Dummies

Paint Shop Pro 7 for Dummies

David Kay

382 pages, parution le 01/04/2000

Résumé

Paint Shop ProT 7 For Dummiesr is well-suited to business and technical professionals and their office staff who prefer to do the image work themselves, rather than invoke the delay, cost, and uncertainty of turning it over to a specialist. This book addresses common needs such as: image sizing, cropping, enhancement, correction of defects, special effects, and certain special applications such as Web sites. Paint Shop ProT 7 For Dummiesr shows you how to use the new, powerful design and editing features including vector-based editable text tool options, multiple color/transparency gradients, Animation Shop 2, JPEG and GIF optimizer tools, and the enhanced visual browser file management. Many users learn the basics themselves, but often stumble when using the tool. Paint Shop ProT 7 For Dummiesr will guide you to choose the right tool for your project, explain how to use it effectively, and help you understand what aspect of the image needs to be altered.

Contents

Introduction

What Can You Do with this Book?
Is This the Book for You?
How Is this Book Organized?
Part I: Getting the Picture
Part II: Painting the Picture
Part III: Improving Appearances
Part IV: Changing and Adding Content
Part V: Taking It to the Street
Part VI: The Part of Tens
Shortcuts and Conventions in this Book

Part I: Getting the Picture

Chapter 1: Introducing Paint Shop Pro
Firing Up Paint Shop Pro and Finding What You Need
Operating Toolbars, Palettes, and Windows
Unrolling and moving toolbars, palettes, and windows
Enabling and disabling toolbars, palettes, and windows
Knowing and customizing toolbars
Meeting the tools of the Tool palette
Hobnobbing with the status bar
Confronting the Color palette
Saluting the Tool Options window
Bowing to the Layer palette
Nodding to the Histogram window
Electing Your Rulers
Getting on the Grid
Aligning Objects to Guides
Viewing and Zooming Your Image
Zooming the image in the window
Using an Overview Window to stay oriented
Filling your screen with your image
Working on several images at once
Undoing and Redoing
Chapter 2: Starting, Opening, and Saving Image Files
Starting an Image from Scratch
Choosing the right image size
Choosing adequate image resolution
Choosing the color of your new image's background
Selecting the best image type (color depth)
Discovering Time-Saving Commands for Image Files
Opening Image Files
Saving Your Image
Using Native and Foreign File Types
Paint Shop Pro files (PSP)
BMP
TIFF
GIF
JPEG
PNG
Using vector file types (drawing files)
Fixing Files Where Some Paint Shop Pro Features Don't Work
Reading or Storing Notes about a File
Browsing and Organizing Files Using Tiny Pictures
Obtaining Images from the Web
Chapter 3: Capturing Pictures from Paper, Camera, or Screen
Scanning into Paint Shop Pro
Getting the most from your scanning software
Forever plaid: Scanning printed images
Getting Images from a Digital Camera
Configuring Paint Shop Pro for your camera
Downloading and opening photos
Talking TWAIN to your camera
Capturing Images from Your PC Screen
Quick captures with the Print Screen button
Selective captures with Paint Shop Pro's capture features

Part II: Painting the Picture

Chapter 4: Choosing Colors, Styles, and Textures
Choosing Paint
Choosing a basic or recently used color
Choosing a color from your picture
Choosing a Color More Precisely
Precise color using the color wheel
Additional shades of basic colors
Very precise color adjustments -- by the numbers
Storing Custom Colors to Use Again
Working with 256 Colors or Fewer
Working with Style -- Beyond Plain Paint
Choosing a style
Choosing gradients
Painting with gradients
Choosing and making patterns
Applying a Texture
Chapter 5: Fundamental Painting, Spraying, and Filling
Choosing the Tool for the Job
Using Basic Artist's Tools: Paint Brush, Airbrush, and Eraser
Painting with the Paint Brush or Airbrush tool
Erasing with the Eraser tool
Controlling Strokes, Sizes, Shapes, and Spatters: Tool Options
Using convenient controls in the Tool Options window
Making lines wider or narrower: Size
Shaping clicks, lines, and line ends: Shape
Painting with a softer or harder edge: Hardness
Making paint thinner or thicker: Opacity
Getting speckles of spray: Density
Making lines more or less dotty: Step
Scribbling to make paint thicker: Build Up Brush
Chalk, crayon, and other media
Brushing snowflakes and other custom shapes
Coloring within the Lines by Using Selection
Replacing Colors
Filling Areas
Filling a selected area with solid color
Filling with a gradient, pattern, or texture
Blend modes
Chapter 6: Painting with Pictures
Cloning Around
Setting clone brush options for your specific needs
Extending lawns or other textured areas
Cloning Aunt Kate
Painting with Picture Tubes
Basic tubing 101
Basic tubing 102: Worms, grass, music, and fire
Adjusting basic tube behavior
Advanced tubing: Stroke-sensitive behavior
Making your own picture tubes

Part III: Improving Appearances

Chapter 7: Retouching Touchy Spots
The Friendly Finger of the Retouch Tool
Adjusting your retouch stroke
Softening
Smudging
Lightening or darkening
Other modes
The Scratch Remover Tool
The Red-eye Remover
Reconstructing the pupil
Outlining problem pupils
Replacing pupil and iris
Chapter 8: Finessing Photos with Effects
Using Effects' Adjustment Dialog Boxes
Correcting Lighting Color
Correcting Contrast and Brightness
Intensifying (or Dulling) Colors
Removing JPEG, Moire, and Other Patterns
Unearthing JPEG artifacts
Don't want no moire
Unlacing your interlacing
Rubbing Out Scratchiness
Clarifying the Details
Unfading the Faded
Correcting for a Specific Color
Sharpening, Edge Enhancing, or Blurring
Sharpening
Edge Enhancing
Blurring
Removing Noise (Speckles)
Chapter 9: Creating Artsy Effects
Try 'em On: Browsing the Effects
3D: Holes, Buttons, and Chisels
Artistic and Other Effects: Simulating Traditional Media
Example 1: Topography
Example 2: Brush strokes
Geometric Effects: Curls, Squeezes, and Waves
Example 1: Page curl
Example 2: Wave
Illumination Effects: Sunbursts, Flare, and Spotlights
Sunburst
Lights
Reflection Effects: Mirrors and Patterns
Kaleidoscope
Pattern
Texture Effects: Bumpy Surfaces from Asphalt to Weaves
Relating texture effects to the Color palette's textures
Using texture effect controls
Example 1: The fur texture effect
Example 2: The texture texture effect
Common Adjustments
Chapter 10: Adjusting Color by Bits
Mastering the Color Illusion
Understanding why the trick works
Applying the trick: Combining two primaries
Adding the third color for pastels or grays
Fiddling with the three values
Using Hue, Saturation, and Lightness
Primary Color Channels
Color Depth/Number of Colors
Checking your image's color depth
Increasing color depth to use more tools
Reducing color depth for speed, size, or special effects
Saving and restoring a palette
Chapter 11: Laundering Your Image for Brightness, Contrast, and Color
Using the Adjustment Dialog Boxes
Making adjustments
Proofing or previewing your adjustments
Getting Brighter, Darker, or More Contrasty
Laundering Lights, Mediums, and Darks Separately
Laundering for Lightness, Color Intensity, and Hue
Lightness: Brightening without bleaching
Saturation: Getting more or less intense
Hue-ing and crying
Altering an Overall Tint
Going Gray with a Tint: Colorizing
Going Totally Gray or Negative in One Step
Using More Sophisticated Color Adjustments
Levels
Curves
Posterize
Threshold

Part IV: Changing and Adding Content

Chapter 12: Getting Bigger, Smaller, and Turned Around
Getting Sized
Proportioning
Dimensioning
Avoiding degradation
Trimming (Cropping) Your Edges
Dragging the Crop tool
Cropping by precise pixel positions
Cropping to an existing selection
Cropping out nothingness
Getting Turned Around, Mirrored, or Flipped
Rotating
Mirroring and flipping
Taking on Borders
Achieving a Particular Canvas Size
Chapter 13: Selecting Parts of an Image
Selecting an Area
Selecting a rectangle or other regular shape
Selecting by outlining: The Freehand tool
Selecting by color or brightness: The Magic Wand tool
Modifying Your Selection
Moving the selection outline
Adding to or subtracting from your selection
Expanding and contracting by pixels
Growing -- fixing imperfect selections
Selecting all areas of similar color
Feathering for More Gradual Edges
Antialiasing for Smoother Edges
Hiding the Selection Marquee
Selecting All, None, or Everything But
Saving Selections
Saving the selection as a selection file
Saving a selection as an alpha channel
Restoring a saved selection
Avoiding Selection Problems in Layered Images
Chapter 14: Moving, Copying, and Reshaping Parts of Your Image
Floating, Moving, and Deleting Selections
Cutting, Copying, and Pasting from the Windows Clipboard
Cut and copy
Paste
Pasting to create a new picture: As New Image
Pasting onto an existing image: As New Selection
Pasting without background: As Transparent Selection
Pasting to fit: Into Selection
Pasting for maximum flexibility: As New Layer
Making Background or Other Colors Transparent
Resizing, Rotating, Deforming, and Perspective-izing
Preparing for deformation
Doing the deformation
Applying or abandoning the deformation
Chapter 15: Layering Images
Putting Layers to Work for You
Getting Layers
Calling a Pal for Help: The Layer Palette
Creating A New, Blank Layer
Working On Layers
Seeing, Hiding, and Rearranging Layers
Pinning Layers Together: Grouping
Using Layers to Separate or Combine Images
Combining entire images
Separating image parts into layers
Copying, cutting, and pasting with layers
Copying entire layers from one image to another
Blending images by making layers transparent
Blending images in creative ways
Creating and Using Adjustment Layers
Creating an adjustment layer
Choosing the type of adjustment layer you need
Applying adjustments only to certain areas
Using Vector Layers
Merging Layers
Chapter 16: Adding Layers of Text or Shapes
Keeping Track of Objects and Layers
Adding and Editing Text
Creating, placing, and editing text
Creating text with fancy fills and outlines
Bending text to follow a line or shape
Straight, single lines
Freehand lines or shapes
Connecting dots
Connecting dots with curved lines
Picking at Your Nodes
Using Dashedly Stylish Lines
Choosing an existing style
Making your own style
Alternative line ends: Caps
Saving your style
Adding Preset Shapes
Dragging a shape
Creating custom shapes
Changing Colors and Other Properties
Controlling Your Objects
Selecting and grouping vector objects
Deleting, copying, pasting, and editing
Positioning, arranging, and sizing by hand
Positioning and sizing objects automatically
Chapter 17: Masking Layers
Putting Masking to Work for You
Creating a Basic Show All Mask
Painting, Editing, and Viewing the Mask
Choosing your paint
Painting and filling
Drawing, shapes, and text
Making a mask from an image
Controlling the Mask
Disabling, enabling, or de-linking the mask
Saving, deleting, and merging a mask

Part V: Taking It to the Street

Chapter 18: Printing
Fitting Your Print to the Paper
Printing an Image
Printing Browser Thumbnails
Printing Collections or Album Pages
Fooling with the pictures and layout
Saving and re-using your layout
Printing at Different Speeds or Qualities
Speed, size, and ink
Printer and image resolution
Printing Color Separations
Chapter 19: Creating Web Images
Making Images Download Faster
Exporting Images for the Web
Choosing features and file types
Creating GIF files
Creating JPEG files
Doing Common Webbish Tricks
Creating buttons
Matching image colors to HTML colors
Creating Interactive Web Pages from Graphics
Creating an image map
Creating image slices
Entering the links
Saving and reloading your work
Outputting the result
Making rollovers
Chapter 20: Animating in Animation Shop
Getting to Know Animation Shop
Using Animation Shop windows and controls
Saving and opening animations
Making Instant Text Banners
Making Quick Animations from Your Images
Building your animation with the Animation wizard
Creating frames by inserting transitions
Creating frames by inserting image effects
Creating frames by inserting text effects
Applying Effects to Existing Frames
Working Frame-by-Frame
Starting from scratch
Managing and adding frames
Working on frames in Paint Shop Pro
Creating Animated GIF Files for the Web

Part VI: The Part of Tens

Chapter 21: Ten Perplexing Problems
Grayed-out Tools
Grayed-out Menu Commands
Image is Wrong Size Inside or Outside Paint Shop Pro
Tool or Command Doesn't Do Anything
Paint Doesn't Come Out Right
Brush Stroke is Wrong Size or Too Fuzzy
New Text Appears When You Try to Change Text
Text or Shape Comes Out the Wrong Color, Texture, or Pattern
Magic Wand Tool Doesn't Select Well
Tool Works, But Not Like You Want
Chapter 22: Ten Fast Fixes for Photo Failures
Rotating Right-Side Up
Getting the Red Out
Photos without Enough Flash
Photos with Too Much Flash
Revealing Dark Corners
Removing Unwanted Relatives
Adding Absent Relatives
Zapping Zits
Making Gray Skies Blue
Making Colors Zippier

Appendix

L'auteur - David Kay

David C. Kay, Ph.D. is a professor and chairman of mathematics at the University of North Carolina at Asheville. Formerly he taught in the graduate program at the University of Oklahoma for 17 years. He is the author of more than 30 articles in the areas of distance geometry, convexity theory, and related functional analysis.

Caractéristiques techniques

  PAPIER
Éditeur(s) IDG
Auteur(s) David Kay
Parution 01/04/2000
Nb. de pages 382
Format 18,7 x 23,3
Couverture Broché
Poids 734g
Intérieur Noir et Blanc
EAN13 9780764506932

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