Résumé
--
Lanzmann's film "Shoah" has found its way into the history of cinema because of its delayed negative action and those unique faces it suspends in time. In breaking away from the framework generally used by the cinema to evoke human experience, it constitutes an inaugural event. In Shoah, we see the faces of ghosts at the place of their extermination, and the witnesses, and the landscape in which it took place. Holding up despair against History, it tolerates no myths or seemingly legitimate illusions. The rememoration it effects cancels out the construction of fallacious history and establishes a mode of historicization that escapes stereotypes. Through those faces, firstly as visible events on the screen, "Shoah" encounters and confronts philosophy, leaving no possible escape route. The intensity of their presentation destroys all illusion of a meaning of History beyond those faces. "Shoah" obliges us to think them with absolute rigour. As they tell of suffering and death, the mind behind the film lays down its inescapable truth.
Caractéristiques techniques
PAPIER | |
Éditeur(s) | Cerf |
Auteur(s) | Alterman Aline |
Collection | Passages |
Parution | 13/04/2006 |
Format | 14.5 x 23.6 |
Couverture | Broché |
Poids | 510g |
EAN13 | 9782204078856 |
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