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Mixing Audio

Librairie Eyrolles - Paris 5e
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Mixing Audio

Mixing Audio

Concepts, Practices and Tools

420 pages, parution le 15/01/2008

Résumé

Mixing remains one of the most illusive arts of recording practice and can take a life time to master. Looking at practices, concepts, tools and mixing instruments the author provides a comprehensive insight to the art and science of mixing.

Whether a hobbyist of professional this book covers basic concepts to advanced techniques as well as tips and tricks and is a vital read for anyone wanting to succeed in the field of mixing.

The book is accompanied by the website mixingaudio.com, featuring a sample chapter, illustrations, audio and a user forum.

  • Rounded, extensive and complete coverage of music mixing
  • Includes a DVD with over 700 audio samples and 4 sample mixes
  • Covers new topics and mixing trends such as computer centred mixing

Sommaire

  • Part I: Concepts and Practices
    • Music and mixing
    • Music - an extremely short introduction
    • The role and importance of the mix
    • The perfect mix Some axioms and other gems
    • Louder perceived better
    • Percussives weight less
    • Importance
    • Natual vs. artificial Learning to mix
    • What makes a great mixing engineer?
    • Methods of learning
    • Mixing analysis
    • Reference tracks The process of mixing
    • Mixing and the production chain
    • The mix as a composite
    • Where to start?
    • Deadlocks
    • Milestones
    • Finalizing and stabilizing the mix Related issues
    • How long does it take?
    • Breaks
    • Using solos
    • Mono listening
    • Bouncing
    • Housekeeping
    • Mix Edits
    • Mastering Mixing domains and objectives
    • Mixing objectives
    • Frequency domain
    • Level domain
    • Stereo domain
    • Depth
  • Part II: Tools
    • Monitoring
    • How did we get here?
    • Choosing monitors
    • The room factor
    • Positioning monitors Meters
    • Peak meters
    • Average meters
    • Phase meters Mixing consoles
    • Processors vs. effects
    • Basic signal flow
    • Groups
    • In-line consoles
    • The monitor section
    • Solos
    • Correct gain structure
    • The digital console Software mixers
    • Tracks and mixer strips
    • Routing
    • The internal architecture Phase
    • What is phase?
    • Problems
    • Tricks Faders
    • Types
    • Scales
    • Working with faders Panning
    • How stereo works?
    • Pan controls
    • Types of tracks
    • Panning techniques
    • Beyond pan pots Equalizers
    • Applications
    • The frequency spectrum
    • Types and controls
    • In practice
    • Equalizing various instruments Introduction to dynamic range processors
    • Dynamic Range
    • Dynamics
    • Dynamic Range Processors in a nutshell Compressors
    • Principle of operation and core controls
    • Additional controls
    • Controls in practice
    • Applications
    • Tricks
    • More on compressors Limiters Gates
    • Controls
    • Applications
    • In practice
    • Tricks Expanders
    • Controls
    • In practice
    • Upward Expanders Duckers
    • Operation and controls
    • Applications Delays
    • Delay basics
    • Types
    • In practice
    • Applications Other modulation tools
    • Vibrato
    • ADT
    • Chorus
    • Flanging
    • Phasing
    • Tremolo Reverbs
    • Applications
    • Types
    • Reverb programs
    • Reverb properties and parameters
    • Reverbs and stereo
    • Other reverb types
    • Reverbs in practice Distortion
    • Distortion basics
    • Ways to generate distortion Drum Triggering
    • Methods of drum triggering Other tools
    • MS
    • Pitch shifters and harmonizers
    • Exciters and enhancers
    • Transient designers Automation
    • The automation process
    • Automation alternatives
    • Control surfaces
  • Part III: Sample Mixes
    • Hero (rock)
    • The Hustler (drum n' bass)
    • Temps (hip hop)
    • Donna Pomini (dance)
Voir tout
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Caractéristiques techniques du livre "Mixing Audio"

  PAPIER
Éditeur(s) Elsevier
Auteur(s) Roey Izhaki
Parution 15/01/2008
Nb. de pages 420
Couverture Broché
Intérieur Noir et Blanc
EAN13 9780240520681
ISBN13 978-0-240-52068-1

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